The Big Paper Test

  • Top 10 brands / how and why I chose these

  • Testing for:

    • bold quality of pigment

    • Granulation

    • Staining / non-staining

    • Painted sphere

    • Masking fluid

    • Tape

    • Glazing

    • Flat wash

    • Brush strokes / ink

    • Wet-into-wet

    • Blossoming / dispersion (paint in h2o / h2o in paint)

    • Salt

  • More advanced testing with top papers (pet, portrait, landscape, bird)

  • What do you need to know about wtclr paper

    • Cellulose vs 100% cotton

    • Sizing - what is it and why is it important?

    • Can paper go bad?

Opinions on this vary - but I personally feel that having good paper is more important than good pigment and brushes. When I say good I don’t mean necessarily the “best” (most popular or expensive) I mean a paper that responds well to your unique painting style and methods.

I can only guide you from my own personal experience and experiments, but you should try the paper out for yourself to really know.

I can make a painting work on stubborn paper, but I’ll have to work so much harder.

It’s important to sort your paper out before you begin extensive color study work. This will save you a lot of time and effort in the future because pigment will look and respond very differently from paper to paper

Cellulose vs 100% cotton - I appreciate the lifting forgiveness of cellulose paper, but I also like working with some colors that are not bright or pack a pinch in color or contrast. I’ll have to paint several layers to achieve what I can in one on quality paper (see image)

Sketchbook reviews